Tag Archives: Bayreuth

The Whiff of Scandal at the Bayreuth Festival

Hitler’s connection with the Wagner festival in Bayreuth is not – and should not be – forgotten…

The Russian bass-baritone Evgeny Nikitin was in a heavy-metal band in Russia during the Soviet era. He withdrew a few days before the première of Richard Wagner’s The Flying Dutchman after a German television news segment featured video footage in which one of his many tattoos seemed to resemble a swastika. Other photos revealed other tattoos that were apparently Scandinavian runes that had been co-opted as SS symbols during World War II.

“I had them done in my youth,” Mr. Nikitin, 38, said of the tattoos in a statement released by the festival. “It was a big mistake, and I wish I’d never done it. I was not aware of the extent of the irritation and offense these signs and symbols would cause, particularly in Bayreuth given the context of the festival’s history.”

In more recent statements released through the Mariinsky Theater in St. Petersburg, Mr. Nikitin said something different. The tattoo never depicted a swastika, he said. The video footage had captured an intermediate stage in the creation of the eight-pointed star that appears in current photos. And he now implied that it was done not in his rebellious youth but just a few years ago.

(The Metropolitan Opera said it was not re-evaluating his role in a new production of Parsifal in New York in February.)

Source: The New York Times, July 26

Israel in Bayreuth: Wagner Festival Shatters Taboo

In the perception of many Israelis, Wagner supplied the sound-track to Hitlerism. That is why he cannot be performed in Israel by any publicly subsidized orchestra. Some years ago Wagner’s grandson, Gottfried, declared in Tel Aviv that this policy was perfectly understandable while a single survivor of Hitler’s horror was still alive.

This week, the hundredth Wagner festival opened in Bayreuth. For the first time it will include, as part of a fringe festival, a concert by the Israel Chamber Orchestra, in the Stadthalle, not the Festspielhaus. It will play the Siegfried Idyll and works by Mahler and Mendelssohn. In the Festspielhaus, Die Meistersinger will be performed.

The initiative for the concert came from its music director, Roberto Paternostro, who is Jewish and whose mother and other relatives were Holocaust survivors. “It was a very difficult and rocky path to get to this point,” Paternostro said at a news conference. “But there wasn’t a moment when I had any doubts about this project. It was my greatest conviction to bring together these two sides, Israel and Wagner. For me it wasn’t much of a problem. Wagner’s ideology and ant-Semitism were terrible. But he was a great composer. The aim is to distinguish between the man and his art.”

Source: Agence France Presse and Eric Kelsey in The Toronto Star (July 28)