Tag Archives: Richard Wagner

Widows: Laudable Achievements in Outliving Husbands

1. Queen Victoria – forty years. Prince Albert died in 1861; she in 1901.

2. Empress Eugénie died in 1920, fifty years after her husband, Napoleon III, was overthrown. He had died in Chislehurst, Kent, in 1873.

3. Cosima Wagner (1837–1930), the daughter of Franz Liszt and dominating guiding spirit of Bayreuth, died in 1930, outliving her husband, Richard, by forty-eight years. Their son, Siegfried, died in the same year, at sixty-one.

4. Adele Strauss, the widow of Johann Strauss, died in 1930, outliving her husband by thirty-one years. Brahms had scribbled on her fan the first three notes of The Blue Danube, “Regrettably not by me.” Johann called the chambermaid in Die Fledermaus Adele.

5. Geneviève Strauss survived the composer Georges Bizet, her first husband, by fifty-one years. He had died in 1875 at the age of thirty-six of a sudden heart attack, three months after his opera, Carmen, was first performed. They had been married for six years, interrupted by a short separation. In 1886, she married Emile Strauss, a lawyer for the Rothschild Bank. The novelist Marcel Proust was among many celebrities who frequented their elegant and brilliant salon. Geneviève became a model for his character Oriane de Guermantes. She died in 1926.

Conrad Black’s Invective: The Word “Bourgeois”

Last week, Conrad Black asked BBC host Jeremy Paxman to stop his “bourgeois priggishness.” Paxman had called him a criminal. Black commended himself for not smashing Paxman’s face in.

Baron Black of Crossharbour, himself until recently a commoner, is perfectly justified to call anybody not in the House of Lords any name his wishes to make his polemical points. But it is unlikely that he meant Paxman was not his social equal. Surely he meant that Paxman was smug, shallow, dreary, complacent, conformist, a man who would believe anything. And was puritanical to boot. “Priggish” was the word he used.

Conrad Black may be greatly attracted to the idea, common in Europe in the 19th and early 20th century and hugely flattering to the image he no doubt has of himself, that the bourgeoisie gives artists and writers with God-given talents permission to live above the law specifically in matters of money. (Also in matters of love, but that does not apply to Conrad Black.)

Those who are not willing to give them that permission – men like Jeremy Paxman – are in his opinion philistines.

The prime example is Richard Wagner. By reason of his extraordinary gifts, he was sometimes forgiven for stealing another man’s wife, in one case even by the betrayed husband. A “genius” was also forgiven – and this may apply to Conrad Black – for not thinking it absolutely necessary always to pay his debts. Fortunately, at critical moments, Richard Wagner was helped out by the romantic (and mad) King Ludwig II of Bavaria.

One wonders if the Baron of Crossharbour is waiting for his prince to come. If he is allowed to resume his seat in the House of Lords his chances will no doubt be much improved.